
Jacques Mercier
ISBN : 9782809919363
Ethiopian art is immediately identified by the modernist geometric twist of its painting and the varied shapes of its crosses. A uniqueness one finds in the luminism of its early painting in the 6th century, preceding by far the oriental developments of Christian art, and kept throughout its Golden Century (15th century), marked by the colorism of illuminators and the graphics of icon painters, curious about the outside world, in particular Italian and Cretan arts. The following centuries still bear remnants of this heritage. The tremendous richness of patterns and techniques make Ethiopia the m
Jacques Mercier, honorary researcher of the CNRS National Center for Scientific Research, member of the Laboratory of Ethnology and Comparative Sociology, defines himself as an art anthropologist f

Ethiopian art is immediately identified by the modernist geometric twist of its painting and the varied shapes of its crosses. A uniqueness one finds in the luminism of its early painting in the 6th century, preceding by far the oriental developments of Christian art, and kept throughout its Golden Century (15th century), marked by the colorism of illuminators and the graphics of icon painters, curious about the outside world, in particular Italian and Cretan arts. The following centuries still bear remnants of this heritage. The tremendous richness of patterns and techniques make Ethiopia the m
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